|
|
 |
After three months in studio,
in April the band's new album is released, the fourth of the career
of the group, In search of Simurgh, published always
from the Cosmasola label and distributed by Il Manifesto CD. In
eight months Simurgh sells more then 10.000 copies, placed
also among the best albums of the year according to Radio One
Village Music that introduces in preview already in March the
album with Radiodervish guests in studio.
Produced by Saro Cosentino who has managed also the music arrangements
with Radiodervish and the keyboard player Alessandro Pipino, Simurgh
is inspired to a classic of the Sufi's literature of XIIth century,
The conference of the birds, of the mystic poet Farid ad
din Attar.
As in an oriental suite , the emotions of the literary text gives
a shape to fairy-tale atmospheres and to moments of rarefied and
meditative suspension. The lyrics speak the multiplicity of languages
typical of the Radiodervish's writing stile, touching mostly Arabic,
English and Italian.
Introduced to the public with a fortunate tour in the main Feltrinelli's
bookstores in Italy (Rome, Milan, Naples and Bari), the album
has been reviewed with great critical approval from national press
and also from the specialized reviews. The new album is presented
in many radio and TV's specials and interviews.
In May the band is the guest of the International Fair of the
Book of Turin where they introduced some new song within a
live set performance broadcasted on the third channel of the Italian
national radio (Radio Tre RAI).
The binomial music-literature accompanies the artistic planning
of the band that, in a long tour started in the last summer, alternate
the concert in which Nabil and Michele with Alessandro Pipino
are accompanied by a trio string's section and a percussions set,
to another show where they propose in trio formation the project
"Between words and music", alternating to the
songs of their repertoire various readings of the literary textbooks
who have inspired them.
In September they play in the superior Basilica of Saint Francisco
d'Assisi in occasion of the "IX international Festival
for the Peace". In December, in conclusion of the festival
The voices of the spirit- East West (Bari/Italy
12-29 December), they present the project The conference
of the birds with the actress and theatre director Teresa
Ludovico: a musical reading, unique for theme and emotion, constructed
on the encounter between the music of their album and "Wings
of dust", a dramatic text written by Teresa Ludovico and
always inspired from the poem of Attar. |
 |
Radiodervish presented their new
album in their home town of Bari at the Teatro Kismet OperA.
Three nights, once again sold out, with a live project created
specially for the occasion in conjunction with the lighting designer
Vincent Longuemare who dealt with the stage and lighting:
ten musicians on stage reproducing the sounds and atmosphere of
Centro del Mundo, including a string quartet and the percussionist
Zohar Fresco.
On the 26th and 27th March they played at the prestigious Théâtre
de l'Olympia in Paris, an important venue where so many top
names on the Italian music scene have played.
In July they were guests at the Arezzo Wave festival, and
in August they played at the grand final concert of the Notte
della Taranta festival, playing a piece of music from the
Southern Italian Salento tradition arranged for the occasion by
Stewart Copeland, ex drummer in the Police, who was a guest at
the festival.
December saw them back playing live with a date at the newly-opened
Feltrinelli Libri e Musica book and record shop in Bari, where
they presented a journey through music and literature. In the
meantime they began work on their new album, which they completed
in February, the album being released in April 2004. |
 |
On tour again with the In Acustico
project, Radiodervish played at the Twelfth Night concert
which was broadcast on the main national TV station, RaiUno, on
5th January from the Santa Chiara Monastery in Naples.
There for the first time, they played a new track, Centro
del mundo, which was to come out on CD in the summer of
that year.
On May 1st, Radiodervish played in Brussels, at the traditional
workers' day street concert, dedicated to the topic of peace in
the Middle East.
And the same issue was at the centre of their next key date "Time
for peace", televised around the globe from the Coliseum
in Rome, where they played Centro del mundo with Noa and then
took part together on the peace march from Perugia to Assisi.
July saw the release of Centro del Mundo,
Radiodervish's new album, published by the new Cosmasola label
and distributed by Il Manifesto CD.
The album is a hymn to rootlessness and to the inherent uncertainties
of human mobility, music capable of capturing the emotions of
those who live in two cultural contexts at the same time.
Twelve new tracks, two of which were also produced in a pop version,
a total of 14 tracks which delineate a refined journey through
images, words, language and sound.
The lyrics are by Nabil Salameh and Michele Lobaccaro. The music
was composed and arranged in conjunction with Alessandro Pipino.
Special guest appearances by Massimo Zamboni and Zohar
Fresco. Artistic production was by Roberto Vernetti
and Mauro Andreolli.
In just three months Centro del Mundo sold 5,000 copies
and soon had to be reprinted.
Their popularity was assured, backed up by the music critics who
acclaimed Radiodervish as one of the best new acts of recent years.
The new tour, which continues to this day, started immediately,
taking them to some of the major festivals in Italy, from Villa
Arconati via Folkest to Negroamaro where in a special project
with the Arab Orchestra of Nazareth they played classics from
20th century Arab music and arranged some of the tracks from their
latest album for orchestra.
The Italian tour continued from August to December and, in line
with their social commitment, Radiodervish took part at the Jubilee
for the Oppressed and were invited to Athens to take part
at the second "World Mayors' Peace Summit".
In October they were guests at the Premio Tenco
in Sanremo.
In December, they were invited by Bari University and the Meridiana
Editrice publishing house to meet and interview Arie Nadler,
an Israeli sociologist and director of the Peres Centre for Peace
in Tel Aviv, on the topic of "Building a memory of peace".
|
 |
At La Vallisa in Bari, a 10th
century church which has been transformed into an auditorium,
Radiodervish presented their new music project
where for the first time they looked back over their artistic
career with the help of acoustic instruments.
On stage, Radiodervish were accompanied on keyboards by Alessandro
Pipino and on cello by Giovanna Buccarella.
The project supported the work of the “Salaam Olive Tree
Kids” international association with Palestinian children
in the refugee camps of Al Fawwar (West Bank - Hebron). The event
was a great success, with a total of six dates, all of which were
sold out, and provided the material later to be published on the
In acustico album, which also contains some photos
and a short video clip and which was distributed through the daily
newspaper “La Gazzetta del Mezzogiorno“’s channels.
The month of May saw the start of the acoustic tour, which ran
the length and breadth of Italy, playing mainly theatres and churches.
In June, Radiodervish were invited by the Italian Cultural Institute
to play at the Beirut music festival
on 21st. They went there with the film director Marco
Preti, who had a number of television documentaries and
travel reports to his name, and he filmed the stay in Lebanon
and produced a documentary called Li Beirut. They were
also joined by Massimo Zamboni, who wrote of
his experiences following Radiodervish in a long article published
by Diario, the weekly magazine run by Enrico Deaglio, in the special
issue which came out in December 2001. |
 |
Jovanotti’s
single Dolcefareniente was published
this year, containing the medley version of Stella
Cometa in a duet between Lorenzo and Nabil with
the Arabic-only version being sung by Nabil alone.
Meanwhile, the musical partnership with Noa had turned into a
lasting friendship, all the more meaningful given the delicate
Middle Eastern situation. The municipal authorities of Melpignano
(near Lecce) awarded them honorary citizenship for their peace-seeking
efforts and named them ambassadors of peace throughout the world.
At the invitation of the United Nations, they sang together in
December at Palermo’s Monreale Cathedral,
conducted by Nicola Piovani, in front of an audience
made up of a number of heads of state. |
 |
A tour of Italy
with dozens of concerts all around the country brought Radiodervish
to the attention of the national market and of the international
festival scene. They struck up partnerships and
shared ideas with a number of Italian and international artists,
including the Middle Eastern musicians Rim Banna,
Amal Morkus, and Noa.
The group took part in several radio and television programmes
broadcast by Rai, Tele+, Tele Montecarlo, ART Europe and many
others. |
 |
Radiodervish first album Lingua
contro Lingua (Dischi del Mulo/PolyGram),
was released and presented at the Turin Music Salon,
and won the Premio Ciampi prize for the best
debut album of the year. Recorded in the studios at the Episcopio
Castle in Grottaglie, the album features the artistic talents
of producers Fabio Recupero and Mauro
Andreolli. |
 |
Nabil Salameh
and Michele Lobaccaro founded Radiodervish after
the break-up of Al Darawish, one of the most influential groups
on the Italian world music scene, which had been together since
1988 and right from the outset had received great critical and
popular acclaim.
Lyricists, and respectively singer and bass player, in Al Darawish,
Nabil and Michele met in the mid 1980s in Bari, where they went
to the same university. Michele graduated in Philosophy while
Nabil, a qualified journalist, studied Engineering.
An important meeting for their artistic development came around
this time - Alessandro Pipino, a versatile keyboard
player who Radiodervish were to work with from the start on compositions
and arrangements. |
|